Lovecraft, but more especially, the Necronomicon. I searched the school library and the public libraries for all I could find by H. What followed is moderately embarrassing to recount. He also experimented with stop-motion animation in combination with the multiplane camera, and made a short called The Toy Parade, which was never released in public. In 1936, backers withdrew financial support from the Iwerks Studio, and it folded soon after. They are now in the public domain and are available on VHS and DVD. Later in the 1970s Blackhawk Films released these for home use, but this time using conventional Eastmancolor film stock. Cinecolor produced the 16 mm prints for Castle Films with red emulsion on one side and blue emulsion on the other. Later in the 1940s, this series received home-movie distribution by Castle Films. The ComiColor series mostly focused on fairy tales with no continuing character or star. From 1933 to 1936, he produced a series of shorts (independently distributed, not part of the MGM deal) in Cinecolor, named ComiColor Cartoons.

Newly hired animator Fred Kopietz recommended that Iwerks employ a friend from Chouinard Art School, Chuck Jones, who was hired and put to work as a cel washer. The Flip and Willie cartoons were later distributed on the home-movie market by Official Films in the 1940s. His last Mickey Mouse cartoon was The Cactus Kid. (Powers and Disney had an earlier falling-out over Disney's use of the Powers Cinephone sound-on-film system-actually copied by Powers from DeForest Phonofilm without credit-in early Disney cartoons.)ĭespite a contract with MGM to distribute his cartoons, and the introduction of a new character named “Flip the Frog”, and later “Willie Whopper”, the Iwerks Studio was never a major commercial success and failed to rival either Disney or Fleischer Studios. According to an unconfirmed account, a child approached Disney and Iwerks at a party and asked for a picture of Mickey to be drawn on a napkin, to which Disney handed the pen and paper to Iwerks and stated, 'Draw it.' Iwerks became furious and threw the pen and paper, storming out. Iwerks accepted a contract with Disney competitor Pat Powers to leave Disney and start an animation studio under his own name. The first few Mickey Mouse and Silly Symphonies cartoons were animated almost entirely by Iwerks, including Steamboat Willie, The Skeleton Dance and The Haunted House. However, as Iwerks began to draw more and more cartoons on a daily basis, he chafed under Disney's dictatorial rule. Iwerks also felt he wasn't getting the credit he deserved for drawing all of Disney's successful cartoons. Eventually, Iwerks and Disney had a falling out their friendship and working partnership were severed in January 1930.

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